Blazy’s Chanel debut, Pharrell’s LV garden, Gaultier RTW return—111 events from September 29-October 7 redefine French fantasy
The Fédération de la Haute Couture et de la Mode has officially unveiled the Paris Fashion Week Spring/Summer 2026 calendar, confirming an explosive 111 events from September 29 to October 7 in a groundbreaking hybrid format that blends physical grandeur with cutting-edge digital access. This season marks a triumphant return to full-scale spectacle after years of cautious post-pandemic programming, with 60 % of shows livestreamed globally and AR try-on filters available via the FHCM app—ensuring every look is shoppable in real time. Carbon-neutral venues, biodegradable sequins, and circular ateliers are now non-negotiable requirements, proving Paris can deliver fantasy while leading the sustainability charge.
The anticipation is electric, and the headlines are already written. Matthieu Blazy’s first ready-to-wear collection for Chanel will orbit literal planets projected onto the newly renovated Grand Palais ceiling—an astronomical tribute to Gabrielle Chanel’s love of celestial motifs and a bold statement that the house is ready to soar into a new era. Pharrell Williams transforms the Louis Vuitton courtyard into a tropical paradise complete with live palm trees flown in from Martinique, continuing his mission to fuse street culture with French luxury. Jean Paul Gaultier makes a triumphant return to ready-to-wear after 11 years, handing the guest-designer reins to a yet-to-be-announced visionary who promises corset madness on a grand scale.
Saint Laurent opens the week at the Trocadéro at golden-hour sunset, guaranteeing viral silhouettes against the Eiffel Tower backdrop. Maria Grazia Chiuri closes Dior with a long-awaited kimono-meets-1947 New Look fusion, honoring Eastern influences and the house’s Japanese archives. Other heavyweights include Rick Owens’ dystopian glamour, Balenciaga’s final chapter under its current creative direction, and Marine Serre’s post-apocalyptic moon prints that have become a red-carpet staple.
Early trend reports from the Fédération’s preview events are screaming joyful escapism: tassels dangling from every conceivable hem, patent-leather elevated flip-flops that walked straight off the beach and onto the runway, witchy capes billowing over micro-shorts for that perfect day-to-night drama. Colors clash like a painter’s palette left out in the rain—deep plum velvet against acid lime silk, fuchsia knits against teal satins, all grounded by soft neutrals for wearability. Silhouettes stay deliciously fluid: wide-leg trousers that pool dramatically on the floor, monochrome power suits cut razor-sharp for boardroom domination, and wet-look hair slicked back with biodegradable gel for that “just-left-the-show” nonchalance.
Accessories are pure dopamine hits: tassel charm bags swinging from every wrist, mega-scrunchies in holographic organza, LED-lit 3D-printed sandals that change color with your phone. Street style outside Palais de Tokyo is already softening the city—felt carpets unrolled on pavement for impromptu lounging, models posing in domestic intimacy with slip dresses layered over jeans and feather-trimmed cardigans tied at the waist.
Sustainability is woven into every fiber: biodegradable sequins that dissolve harmlessly, circular ateliers offering lifetime repair guarantees, pop-up recycling stations turning deadstock into limited-edition accessories. The Sphère program spotlights emerging voices—African designers fusing wax prints with French lace, Asian talents reimagining hanfu sleeves in silk organza, Latin American labels bringing vibrant color to minimalist cuts.
Celebrity wattage is off the charts: Beyoncé has been spotted bidding anonymously on Black abstract artists at after-parties, Rihanna’s presence is rumored for the Fenty x Puma drop, and Timothée Chalamet’s front-row appearances continue to break the internet. Economic stakes couldn’t be higher—€4.8 billion in projected orders, with private clients already booking couture-level customizations from ready-to-wear pieces.
This Paris Fashion Week isn’t just the end of fashion month—it’s the launch of the entire year. As one FHCM spokesperson whispered backstage: “We don’t follow trends. We create worlds.” Blazy’s planets, Pharrell’s palms, Gaultier’s corsets—Paris is ready to remind everyone why French fashion still reigns supreme. Joyful escapism? Mandatory. Planetary drama? Inevitable. The City of Light is about to burn brighter than ever.
